23.04.2022 DeSingel, Antwerp, Belgium
14:00-22:00
The arrival of Lulu Obermayer is a breath of fresh air in the world of opera and classical music. With her radical interpretations, the young German director challenges the genre’s normative approach. Obermayer knows what she is talking about: she grew up in a context in which opera is ubiquitous. Her name is even derived from the eponymous opera by Alban Berg. For her latest performance, Frauenliebe und -Leben, she takes Robert Schumann’s eponymous song cycle as her starting point. For Obermayer, the stereotypical image of the devoted, faithful 19th-century woman who dedicates her life to the man of the house is the perfect starting point for focusing on a number of issues. The cycle is extended by Obermayer to eight hours, the length of a working day, and the solo voice is obliged to give way to eight female voices. In a musical installation there is reflection on the complexity of being a woman, female love and mothership.
Regie & Concept: Lulu Obermayer
Piano: Justine Eckhaut
Choreographic Advice: Leah Marojevic
Creative Doula: Blaine Morris
Mirror Arrangement: Natalia Dominguez Rangel
Singers: Noa Calluy, Mireille Capelle, Inez Carsauw, Margarida Hipólito, Lissa Meyvis, Francoise Vanhecke,Karen Vermeiren, Lisa Willems
commission & co-production DE SINGEL with support by city of Munich, Akademie der Künste as part of the NEUSTART Kultur programme, Forecast skills e.V. and by Schloss Bröllin e.V.
Imprint
23.04.2022 DeSingel, Antwerp, Belgium
14:00-22:00
The arrival of Lulu Obermayer is a breath of fresh air in the world of opera and classical music. With her radical interpretations, the young German director challenges the genre’s normative approach. Obermayer knows what she is talking about: she grew up in a context in which opera is ubiquitous. Her name is even derived from the eponymous opera by Alban Berg. For her latest performance, Frauenliebe und -Leben, she takes Robert Schumann’s eponymous song cycle as her starting point. For Obermayer, the stereotypical image of the devoted, faithful 19th-century woman who dedicates her life to the man of the house is the perfect starting point for focusing on a number of issues. The cycle is extended by Obermayer to eight hours, the length of a working day, and the solo voice is obliged to give way to eight female voices. In a musical installation there is reflection on the complexity of being a woman, female love and mothership.
Regie & Concept: Lulu Obermayer
Piano: Justine Eckhaut
Choreographic Advice: Leah Marojevic
Creative Doula: Blaine Morris
Mirror Arrangement: Natalia Dominguez Rangel
Singers: Noa Calluy, Mireille Capelle, Inez Carsauw, Margarida Hipólito, Lissa Meyvis, Francoise Vanhecke,Karen Vermeiren, Lisa Willems
commission & co-production DE SINGEL with support by city of Munich, Akademie der Künste as part of the NEUSTART Kultur programme, Forecast skills e.V. and by Schloss Bröllin e.V.
Imprint