

24.- 27.09.2015
29.- 31.01.2016
04.- 05.03.2016
Self-Declination, Self-Declaration.
A woman, a body, a thousand possible narratives. I am. I was. I have been. I will be.
Female Drama/Soliloquy is the self-talk and self-design of a woman who speaks not for others, but first and foremost for herself and with herself; in a mirror that is invisible to the audience: She is One, torn apart, “in fragments, by women, by discourses, by silence, by still untouched white spaces…”
The performance collects and assembles monologues of female dramatic figures, feminist theory, manifestos, prose, poems, songs, and found objects.
“What was I talking about? Yes, about the stage. Now I am no longer like that.
Now I am already a real actress, I perform with pleasure, with enthusiasm, I am on stage as if intoxicated, and I feel beautiful.”
The Seagull, Anton Chekhov
By and with: Lulu Obermayer
Dramaturgy: Caroline Adler
Set Design: Christoph Bartsch
funded by Cammerspiele Leipzig
Imprint

24.- 27.09.2015
29.- 31.01.2016
04.- 05.03.2016
Self-Declination, Self-Declaration.
A woman, a body, a thousand possible narratives. I am. I was. I have been. I will be.
Female Drama/Soliloquy is the self-talk and self-design of a woman who speaks not for others, but first and foremost for herself and with herself; in a mirror that is invisible to the audience: She is One, torn apart, “in fragments, by women, by discourses, by silence, by still untouched white spaces…”
The performance collects and assembles monologues of female dramatic figures, feminist theory, manifestos, prose, poems, songs, and found objects.
“What was I talking about? Yes, about the stage. Now I am no longer like that.
Now I am already a real actress, I perform with pleasure, with enthusiasm, I am on stage as if intoxicated, and I feel beautiful.”
The Seagull, Anton Chekhov
By and with: Lulu Obermayer
Dramaturgy: Caroline Adler
Set Design: Christoph Bartsch
funded by Cammerspiele Leipzig
Imprint